How Was The Output of FilmGear®’s LEDs Utilized?
Tyler (Gaffer/ Defender Commercial): “We used the Zenith as a key light for the talent, wrapping the fill side with a bounce and adding a couple of barefaced Zeniths to pump extra F-stops into the room. Despite the cloudy day, we were able to double expose both inside and outside the house, and it looked great. The punchiness of the 19-degree TIR lenses allowed us to bring the light closer to the talent without affecting the makeup, which was softened up with a book light, giving me the F-stops I needed for a textured look. Everyone was very happy with the results.”
Nikola (Director/ Tramps Like Us): ‘“The MEGA had enough punch and output to serve as the key light in a variety of our scenes. It’s a huge time and money saver because, unlike traditional hot lights, you don’t need five people to move it around. It’s a big source with great versatility and modular options, which makes it a lifesaver on set. When you have stunt coordinators and extras, having a nimble lighting setup lets you allocate resources elsewhere to tell your story—that’s everything.”
What Did You Think Of The Build Quality of FilmGear® LEDs?
Nikola: “When it comes to the MEGA, it’s built like a tank—very sturdy and durable. Typically, when you compare LED lights with traditional hot lights in terms of output and build quality, the difference in field quality is obvious. However, with the MEGA, there is no visual difference; it truly matches the performance and robustness of hot lights.”
Tyler: “For our Defender commercial shot in the hills of Malibu, we immediately appreciated the IP65 weather-sealed protection from the elements. Owning this unit gives me confidence—it can handle a fall during high-speed shoots while staying durable and easy to use. Just bend your knees and lift with ease!”
What Makes FilmGear® LEDs Different?
Nikola: “Bang for your buck. It’s hard to find an LED that offers such versatility at this price point. Coupled with the local support, we know FilmGear is just a call away if we need anything. This makes it a straightforward solution in this emerging space because we can always rely on FilmGear’s quality. The results speak for themselves on screen, and that’s the beauty of our work—you can see it and judge it.”
Tyler: “Ease of use! The menu was very intuitive, allowing me to quickly navigate to where I wanted to go. I was able to jump on the back of the unit and control the output directly through the menu without needing any external connections. I was also impressed by the pixel control and customization options within the color gamut.”
